Over the years, I have presented a series of solo exhibitions that reflect the evolution of my artistic language, from intimate explorations of material and energy to larger conceptual cycles rooted in form, transformation, and emotion. Each exhibition represents a dialogue between the medium and the forces shaping it — both visible and invisible.
My ongoing cycle “Solar Convergence” continued to grow and evolve through exhibitions at the Nikola Radošević Gallery (2024), the Stara Kapetanija Art Gallery (2024), the Šabac Cultural Center Gallery (2025), and most recently through a new presentation that further expanded the visual vocabulary of the cycle. Each iteration offered new light to the series, revealing shifting constellations of form, energy, and movement.
In late 2023, I presented “Supression” at the mts Dvorana Gallery in Belgrade — a body of paintings exploring the quiet tensions and concealed impulses beneath the surface of the visible.
Earlier, my cycle “All That Growls, Does Not Bite” was shown at the Nikola Radošević Gallery in 2022, a series that examined instinct, fragility, and the subtle border between threat and tenderness.
Sculpture has also been an important part of my path. In 2021 and 2022, I exhibited the cycle “Time”, dedicated to Prof. Miloš Šobajić, first at Kvaka 22 Gallery and later in the Bonsai Garden in Senjak — a space where the works could breathe in silence and open sky.
My earlier painting cycle “Iskra” was presented at the mts Dvorana Gallery in 2022, and later that same year at Zemun Fest, on the open-air stage along the Zemun Quay, where the works met the river, the wind, and the passing summer crowds.
In addition to these solo exhibitions, I have participated in numerous group shows both in my hometown and internationally, sharing space with diverse artistic voices. These collective exhibitions have provided opportunities for dialogue, experimentation, and connection, expanding the reach of my work and continually enriching my creative practice.